The exhibition gathers together works from different series, realized over the past ten years. Greek myths, ancient tales, archaeological sites of the Mediterranean basin and the Middle East, and the never ending work of interpretation are the themes upon which photographic work of Paolo Morello is grounded.

Many ancient myths show a great modernity and some seem to allude to present circumstances. The author believes that Sicily is still the land inhabited by the ancient Greeks. Series A Journey to Sicily is devoted to famous Mediterranean island,the land of the Cyclops, where Odysseus blinded the giant Polyphemus during his journey back home to Ithaca from the Trojan War. The series entitled Aphrodite’s Nostalgia takes as well its origins from an ancient myth, that of the goddess of love, and of her symbol, the shell. The shell was neither a symbol of her beauty, nor of her femininity, rather of her birth.

In the series entitled In the Beginning Morello strove to compare some myths of creation, such as Hesiod’s Theogony and the Book of Genesis. He took from these myths some motifs, among them the ‘chaos’ – the primordial abyss – the Eden – the paradisiacal garden – the life which takes shape from the inchoate mud, the divine breath – the ‘alitus’ – and finally the coming to the surface of the Earth from the depths of the Ocean. Cosmogoniс myths were conceived as metaphors of the progressive widening of the consciousness. Photography too is an exercise of progressive understanding and appropriation within the boundaries of the knowledge. In Sanskrit, the verbs to see and to know have the same root: ‘vidya.’

A number of photographs is devoted to Petra, the ancient Nabatean capital, now in Jordan. Despite the worldwide fame of its rose-reddish sandstone, Morello decided to photograph its tombs and monuments in black and white in order to keep off the way it is usually represented in touristic postcards. The uniqueness of that site is primarily due to the relationship between nature, rocks and architecture. Photographer was inspired by the journals and the sketchbooks made by the Europeans who adventurously rediscovered Petra at the beginning of the 19th century, after many centuries of oblivion.

The Tale of the Banyan Tree is dedicated to inextricable connection between the Sky and the Earth. In Sanskrit, the Banyan tree is called Nyagrodha, which means ‘that which grows downwards’. What makes it so monumental and moving is the framework of aerial roots, which, reaching the ground, become ancillary trunks, and help to support the weight of the foliage. If one considers the symbolical value of its rooting, one will discover in it the will to connect the top with the bottom. Leaves and roots depend on each other: without the latter, the former would die, and vice versa.

Photographic historian, photographer, publisher, collector, and gallerist, Paolo Morello studied at the University Iuav of Venice, the Scuola Normale in Pisa and St John’s College in Oxford. From 1998 onward, he pursued and developed his career as a photographic historian. He taught Photography and History of Photography at the universities of Palermo, Bologna, Brescia, Verona, at the Università Ca’ Foscari in Venice, and others. Paolo Morello is the author of many seminal works on the history of photography in Italy. From 2001 to 2010 he was contributing editor of the magazine History of Photography, and from 1999 to 2011 he directed the Istituto Superiore per la Storia della Fotografia. In 2011, he founded Glint, a publishing company based in London, and in 2012 he founded Studio, a photographic gallery in Palermo.