Andrew Moore's images, by contrast, transcend politics. He photographs Russia's extremes – the rich and the poor, the awesome and the pitiful – with equal curiosity and without partisanship. He does not rhapsodize over the excess and pomp of capitalist Russia, but neither does he dismiss it, its superficiality notwithstanding. In demonstrating as much interest […]
Andrew Moore's images, by contrast, transcend politics. He photographs Russia's extremes – the rich and the poor, the awesome and the pitiful – with equal curiosity and without partisanship. He does not rhapsodize over the excess and pomp of capitalist Russia, but neither does he dismiss it, its superficiality notwithstanding.
In demonstrating as much interest in facades as what's behind them, he considers modern Russia on its own terms, and the Soviet Union and the imperial Russia that preceded it on theirs <…>
Andrew obtains a revolutionarily holistic and organic sense of a country that, for so many, derives its charm precisely from the feelings of artifice it provokes. In a sense, he frees Russia from so many of the myths with which it has been endowed, and he finds it no less enchanting and infuriating. At a time when Russia's government doggedly confines itself to the present, Andrew's photographs are monuments to the nation's other lives. They are silent witnesses testifying to a different history.
In eschewing political agenda, Andrew liberates his work to peer past Russia's politics-an unprecedented accomplishment in a place where every aspect of life is politicized-and discover its otherworldly aesthetic <…>
The aesthetic also feels foreign because of its relentless clash of iconoclasm and tradition, a legacy of the Soviet Union's quick passage from the radical inclinations of the postrevolutionary years to the traditionalist stasis of the Stalin era <…>
Andrew Moore has captured all of this complexity in the concise poetry of an individual image. Taken together, his photographs comprise an otherworldly calculus of a profoundly troubled nation eternally uncertain of its place in the world. They perceive a Russia beyond politics and ideology and beyond the polarities that define its relationship with the West. Enclosed you will find Russia's nuanced history of itself, as told to Andrew by its buildings and people.
Boris Fishman
Exhibition curator – CM Art Gallery
6, rue des Grands Degrés, 75005 PARIS
Solo exhibitions
2009 Yancey Richardson, New York; Koffler Center for the Arts, Toronto
2008 Rena Bransten, San Francisco; Jackson Fine Art, Atlanta GA; Museum of Nebraska Art, Kearney Nebraska; CM ART Gallery, Paris, France
2007 UBS Moscow Arts Center, Moscow; Museum of Russian Art, Minneapolis; Robert Moses and the Modern City: Columbia University, Museum of the City of New York; The Queens Museum of Art, New York
2006 Jaffe-Friede and Strauss Galleries, Dartmouth College; Yancey Richardson Gallery, New York; Dartmouth College, NH; F 5.6 Gallery, Munich; Jackson Fine Art, Atlanta, GA
2004 Craig Krull, Los Angeles
2003 Jackson Fine Art, Atlanta GA
2002 Yancey Richardson Gallery, New York; Robert Koch Gallery, San Francisco
2000 Craig Krull Gallery, Los Angeles
1999 Paris Photo, France; Carol Ehlers Gallery, Chicago; Yancey Richardson Gallery, New York; Art Miami, Miami FL
1997 Yancey Richardson Gallery, New York
1994 Janet Borden Inc., New York
1993 Lutz Teutloff, Cologne, Germany
1991 Janet Borden Inc., New York
1987 P.S. 1, Special Project, Long Island City, NY
1986 Julie Saul, New York
1985 Real Art Ways, Hartford, CT
1984 Nina Freudenheim, Buffalo, NY
Group exhibitions (selected)
2009 ART PARIS, CM ART, Paris, France; ARCO, CM ART, Madrid, Spain; Rethinking Landscape: Contemporary Photography from the Allen G. Thomas, Jr. Collection, Taubman Museum of Art, Roanoke; Focus on Photography, Hood Museum, Dartmouth College
2008 ART PARIS, CM ART, Paris, France; Recent Acquisitions, The Queens Museum of Art ; World Views, University of Northern Iowa
2007 Allusive Moments, Rena Bransten Gallery; Border Crossing Exercises, Gallery Nord-Norge, Harstad; Room x Room, James Harris Gallery, Seattle
2006 Recent Acquisitions, Philadelphia Museum of Art
2004 Governors Island, Municipal Art Society
2003 Cuba on the Verge, International Center of Photography, NYC
2000 New York Now 2000, Museum of the City of New York; Emmet Gowin and Students, Alfred University
1999 Starry Night, Carol Ehlers Gallery; Ancient History, Yancey Richardson Gallery; Full Exposure: Contemporary Photography, NJ Center for Visual Arts
1998 Disappearing Summer Cinema, Yancey Richardson, New York
1995 H2O, Yancey Richardson Gallery, New York
1992 Janet Borden Inc., New York
1990 Clocktower, New York
1989 Suburban Home Life, Whitney Museum of American Art
1987 Light Gallery, New York
1986 George Eastman House, Rochester, NY
1985 International Torino Photo Manifestation, Italy; South Street Survey Municipal Art Society, NY
Commissions/Residences
2008 World Monument Fund / Knoll International, Main Street Modernism
2006 Artist in Residence, Dartmouth College; Trees Portfolio, Vassar College
2005 Cleveland Clinic, Cleveland OH
2004 Public Art Fund, Governors Island Project
1999 Public Art Fund, Hilton Hotel, Times Square
1998 MTA/Arts for Transit, Lightbox Project at Times Square
1995 MTA/Arts for Transit, Lightbox Project at Grand Central
1993 Dreyfus Corporation, NY
1987 Citibank, New York; Trenam Simmons, Tampa, FL
1980 Downtown Development District / The City of New Orleans
Public collections
Canadian Centre for Architecture Cleveland Museum of Art Columbia University High Museum, Atlanta Hood Museum of Art, Dartmouth College International Museum of Photography, George Eastman House Israel Museum, Jerusalem LA County Museum Library of Congress Museum of the City of New York Museum of Nebraska Art Mead Art Museum, Amherst College New York Public Library Philadelphia Museum of Art Princeton University Art Museum The Queens Museum of Art San Francisco Museum of Modern Art Snite Museum of Art, Notre Dame Francis Lehman Loeb Art Center, Vassar College Whitney Museum of American Art Yale University Art Gallery
Grants and awards
2002 Sundance Film Festival, Special Jury Prize
1997 Judith Rothschild Foundation Grant
1996 Cissy Patterson Foundation Grant
1995 Black Maria Festival, Director’s Citation Award
1985 The Kaplan Fund
1984 NYSCA, Exhibition Grant
1983 NYSCA, Sponsored Project
1982 Finalist, Prix des Jeunes Photographes, Arles, France
1981 National Endowment for the Humanities, Youth Grant
1979 Lemoyne Page Prize, Princeton University
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